Tag Archives: Miguel

#Beautiful – Mariah Carey & Miguel

Well, I didn’t see this day coming. Mariah Carey, on my blog. Bit weird really. But it’s valid. I haven’t had my password stolen by a 35 year old housewife from Milwaukee (I’ve just decided that’s her target demographic. Very specific).

Anyway, the real reason that she’s here is that Miguel is here. Oh Miguel. His 2nd album from last year, Kaleidoscope Dreams, still gets an unyielding amount of plays from me. It’s been a little bit of a slow-burner in terms of success too, so it’s always nice to see an artist come through the other end and get the respect that they deserve.

Since then, Miguel has turned up to a do a few guest spots here and there. He’s on J. Cole’s track Power Trip which is pretty damn swell, and now this track with Mariah has emerged.

The first thing to dislike instantly is the hashtag before the track name. This is not a cool thing to do. As soon as Will.I.Am did this, it instantly became a terrible thing to do. I mean, it would be a horrible thing to do anyway, but he’s like the Catholic Church of the music business. He really can’t do anything right in most people’s eyes, and with good reason.

So I should probably talk about the track itself at some point. First up, we barely even hear Mariah until 1:30. Bonus. Incredible. Keeping her insane-o warbling vocals off that much of a track is surely something worth knighting Miguel for. I don’t care if he’s American, let’s make him an honourary Brit.

So I’m pretty happy that 0:00-1:30 is basically a new Miguel track – it’s a pretty straight-forward hook, with an ambling guitar fuzz winding its way low in the mix. And then Mariah comes in, and, for the most part, keeps that bombastic bonkers stuff on the sideline (apart from one minor slip), but, it’s actually quite a fun moment. Then Mariah and Miguel sing together, and the thing just works. It’s not going to change the world, it’s not going to save the planet from a meteor, but, it’s really, quite, ok. There you go Mariah, have that one for your scrapbook.


Miguel – Do You [And a BBC Sound of 2013 half-rant]

homepage_large.99369138Late last night, the BBC Sound of 2013 longlist was announced, with 15 different artists populating the list. As has been said before, it’s obviously a very self-fulfilling prophecy. The panel aren’t going to pick a 21-year old playing with a triangle in Stranraer. Pretty much all of the artists and groups selected have a long form release coming out in 2013, and are all doing so for the first time. So it leaves things feeling a little bit obvious and contrite. Also, the overbearing hype that these 15 will get means that it’ll further boost their profile.

This sounds like a bit of angry rant, and I’m not sure that it isn’t. However, there are some artists on there that I am very excited to hear what they have to offer in 2013. AlunaGeorge first and foremost. First mentioned in these parts back in April, their debut LP has the potential to be brilliant. Chvrches is another band on the list that has caught my eye recently. ‘The Mother We Share’ is a great track, with a clear and obvious parallel to be drawn to the likes of  M83. Even the ‘oh’s’ at the end sound like they’ve been pulled off of an M83 track, but it’s still its own beast, with a bubblegum sweetness and squirreling synths.

So where does this have to do with the headline? Well, shortly after hearing the list announced, I finally got around to listening to the Miguel album, Kaleidoscope Dream. It’s one of those albums that I’ve heard thrown around endlessly for the last couple of months, but I’d never got around to listening to it. So last night, I took the plunge.

It’s something special. It’s R n’ B without the overbearing bells and tassels of R-Kelly. It’s got the laid back groove of Frank Ocean (and drug references to boot). But really, it’s just a smooth, hook-filled monster.

I’ve listened endlessly to ‘Do You’ today, from the album. It starts of in a Washed Out meets R n’ B at the beach, before sharpening up and flexing its muscles. Just after a minute, the bass and drums come back-flipping in, magnifying the excellence of what’s already been layered up. Lyrically, it’s a little sickly and schmultzy, but after expressing my fanaticism for Bon Iver’s ‘Beth/Rest’ last year, you’ll know that it works sometimes. And with a line like “I’m gonna do you like drugs,” you can see it’s not all puppydogs and flowers.

So while this seems like two different points here, there is some logic behind it. Yes, it is terribly exciting that there is this new list of 15 artists that everyone will be getting very excited about over the next month or two (AlunaGeorge will win), my point is, there’s plenty going on outside this little bubble, and lots of brilliant new music just waiting to be heard. This is Miguel’s second album, far better than the first, and sometimes artists and groups need that time to grow. My fear is that the BBC Sound of 2013 can place an overbearing and overwhelming pressure on all 15 to come up with something amazing, or be doomed to fail. But failing is fine. One way or another, we all get a second chance.

Check out ‘Do You’ by Miguel below.