Tag Archives: Bwani Junction

December 2013 Spotify Playlist

What’s up Planet Earth. Good weekend? I’ve been snootily browsing a few ‘Best Albums of 2013′ lists, and as usual I’m annoyed by how early they get published. Some were out in November. I mean, come on! Since then we’ve had a new Childish Gambino album (a strong 6/10 for me) a new flippin’ Beyonce album (which admittedly I haven’t listened to yet). I may end up trying to figure out my top 10 at some point during the holidays (hold tight for that fans), but what’s waaaaaaaaaaaay more exciting is to use the arbritrary time event caused by the speed of the earth’s orbit around the sun is to look ahead to 2014. And so that’s where the Horses Playing Harps December 2013 playlist handily comes in.

I’ve made one playlist every month this year, but I think this is my favourite to date. It’s jam packed with all sorts of exciting bands and artists, so dive in and see what you think. And if you like it, follow me on Spotify, by clicking HERE! for plenty more brand new playlists next year.

This could be a big year for…..Bwani Junction

Ahhhh, Bwani Junction. Supposedly, tomorrow (the 3rd Monday of January) is officially known as the most depressing day of the year. To help lift the prospect of that gloomy possibilty, this horse has just gone and bought Bwani Junction’s excellent 2011 debut album, ‘Fully Cocked’. After using up most of the monthly-10 hour Spotify limit gorging on their beautifully crafted, sunshine-filled songs, there was no other choice but to properly posess it. Drawing comparisons is a bit of a challenge too.

Being Scottish, you’d love to be able to spot some Scottish based musical-geographic reference points, but it’s the lightness of being and warmth in their sound that means you have to search further ashore than that. The afrobeat sounds can lead you to Cape Cod and Vampire Weekend (as much as the band may not be too keen on the reference),  the political sharpness of a track like ‘Today’s Crusade’ sends you to to New York and Ted Leo.. But pidgeon holes are for pidgeons, and these boys are no flying rats. They are more like Fulvous Whistling Ducks (stay with it), in that they are native to warmer climes, have a cool name (a take on the John Masters book Bhowani Junction) and are noisy birds with a clear whistling kee-wee-ooo call (wasn’t that worth it?).

On a purely sonic basis, they just sound absolutely spot on. Any band that doesn’t make the listener strain to have to hear the bass guitar get a big thumbs up, especially when the base is as key as it is here. The guitars fret around merrily, the drummer has a set of bongos on his kit (judging from the aformentioned live clip). Lead singer and guitarist Rory Fairweather has an enjoyable vocal sound, retaining the Scottish accent but still melding in with the Afro-Caribbean sounds. That doesn’t sound like something that should work, but with this band, it just does.

They first crossed this horses radar from footage of the BBC Introducing Stage at last year’s T in the Park Festival. The music they make is so infectious, it’s reminscent of Two Door Cinema Club. At least, you could easily see their paths following suit. TDCC chucked out their debut on Kitsuné without making much of a big splash, but that catchyness and brilliance meant that gradually, the whole world picked up on them. So with Bwani Junction’s debut album, ‘Fully Cocked’ being snuck out at the back end of 2011, it could easily grow and get bigger and bigger as the year goes on. Hopefully a few festival slots will help that along too.

But for the time being, for those too lazy to push anymore buttons, here’s my favourite track from the album, ‘Roots Too Deep’.